Title How to See
Subtitle Looking, Talking, and Thinking about Art
Author David Salle
ISBN 9780393354966
List price USD 16.95
Price outside India Available on Request
Original price
Binding Paperback
No of pages 288
Book size 140 x 210 mm
Publishing year 2018
Original publisher W. W. Norton & Company
Published in India by .
Exclusive distributors Viva Books Private Limited
Sales territory India, Sri Lanka, Bangladesh, Pakistan, Nepal, .
Status New Arrival
About the book Send Enquiry
  
 

Reviews:

“If John Berger’s Ways of Seeing is a classic of art criticism, looking at the ‘what’ of art, then David Salle’s How to See is the artist’s reply, a brilliant series of reflections on how artists think when they make their work. The ‘how’ of art has perhaps never been better explored.”

— Salman Rushdie

 

“An upbeat, non-combative approach to art criticism.… [F]resh, engaging.”

— Roger White, New York Times Book Review

 

“David Salle’s brilliant canvases changed everything, and now his luminescent eye and voice have married in a book that is destined to alter not only how we look at art, but the language we use to describe it. His essays are a gift that, in addition to feeding one’s process of intellection, nourishes one’s art-loving soul. Transcendent.”

— Hilton Als

 

“Witty, chatty, intimate, sharp.”

— Lorin Stein, Paris Review

 

“Lovely to read.… [How to See] is serious but never solemn, alert to pleasure, a boulevardier’s crisp stroll through the visual world.”

— Dwight Garner, New York Times

 

“We feel we are reading the latest from a commentator who has been at it for a lifetime and yet is still making discoveries and sharp, new distinctions… observations that can be funny, warm, offhandedly erudite, arch, or simply commonsensical, and that intensify the part played by art in our lives and the life of art itself.”

— Sanford Schwartz, New York Review of Books

 

“[Salle] writes about art that he admires with passion and a discerning eye.… [I]lluminating.”

— Glen Roven, Los Angeles Review of Books

 

“A trenchant and light-on-its-feet collection of critical essays… about art, artists, fame, and, if you read it closely enough, what it’s like to have been David Salle for all these years.”

— Carl Swanson, New York Magazine

 

“A remarkable painter whose writing is as fresh, vital, and startling as his canvases, Salle… talks about artists and their work in witty, jargon-free, and eminently accessible prose.”

— Tirdad Derakhshani, Philadelphia Inquirer

 

“How to See is an exhilarating and cathartic experience[,]… an offering of passion and generosity, and a pulsing invitation to the reader to find the same in the act of seeing.”

— Simone Grace Seol, National Book Review

 

“[A] rare mix of eminently readable art criticism and close scrutiny of process and technique. His admiring descriptions… [allow] the reader to momentarily inhabit the consciousness of an artist and to rediscover painting through his eyes.”

— Rachel Corbett, Vulture


Description:

How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle’s incisive essay collection illuminates these questions by exploring the work of influential twentieth-century artists. Engaging with a wide range of Salle’s friends and contemporaries—from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others—How to See explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres.

Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on how to see with an artist’s eye.


Contents:

Introduction

Acknowledgements

PART 1: HOW TO GIVE FORM TO AN IDEA

Alex Katz: The How and the What • Amy Silliman: A modern-Day Action Painter • Christopher Wool: Painting with its Own Megaphone • The German Miracle: The Heart Is Not a Metaphor • Albert Oehlen: The Good Student • Dana Schutz: A Guy Named Frank • Roy Lichtenstein: Change Is Hard • The Art of Childhood: Jeff Koons at the Whitney • John Baldessari’s Movie Script Series • The Success Gene: Wade Guyton and Rosemarie Trockel

 

PART II: BEING AN ARTIST

Vito Acconci:  The Body Artist • The Petite Cinema of John Baldessari • Karole Armitage and the Art of Collaboration  • The Camera Blinks • Old Guys Painting • The Grapplers: Marsden Hartley, Philip Guston, and Clyfford Still • Urs Fisher: Waste Management • Jack Goldstein: Clinging to the Life Raft • Sad Clown:  The Art of Mike Kelley • Frank Stella at the Whitney • Provinicialism without a Capital: The Art of Thomas Haouseago • Frederic  Tuten: The Art of Appropraition

 

PART III: ART IN THE WORLD

André Derain and Coubert’s Palette • Picabia, C’est Moi • Baby’s Giant Bean • Lovely Music: The Art of Barbara Bloom • Structure Rising • Piero Della Francesca

 

PART IV: Pedagogy and Polemics

The ‘80s—What Were They Good For? • A Lecture Delivered at the Milwaukee Museuam of Art • A Talk for the First Day of Class • Art Is Not a Popularity Contest: A Commencement Address Given at the New York Academy of Art, 2011 • Questions without  Answers for John Baldessari

 

Credits


About the Author:

David Salle’s paintings are in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Metropolitan Museum of Art, the National Gallery in Washington, DC, the Los Angeles County Art Museum, Tate Modern, the National Galerie Berlin, and many others. He lives in New York City.


Target Audience:

Students and Academicians of Contemporary Art.

 

 
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