Title Pushkin’s Monument and Allusion
Subtitle Poem, Statue, Performance
Author Sidney Eric Dement
ISBN 9781487505523
List price USD 75.00
Price outside India Available on Request
Original price
Binding Hardbound
No of pages 280
Book size 153 x 229 mm
Publishing year 2019
Original publisher University of Toronto Press
Published in India by .
Exclusive distributors Viva Books Private Limited
Sales territory India, Sri Lanka, Bangladesh, Pakistan, Nepal, .
Status New Arrival
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Pushkin’s Monument and Allusion encourages the reader to think about the multi-dimensional relationship – text, statue, performance – between allusion and space.”

Angela Brintlinger, Department of Slavic and East European Languages and Cultures, The Ohio State University


“This book makes a superb addition to literature both on Pushkin as a mythic figure in Russian culture and also on Moscow as a city.”

Emily Johnson, Department of Modern Languages, Literatures, and Linguistics, University of Oklahoma


Pushkin’s Monument and Allusion is meticulously researched, well focused, and thought provoking.”

Alexandra Smith, Department of European Languages and Cultures, The University of Edinburgh


In August of 1836 Alexander Pushkin wrote a poem now popularly known simply as “Monument.” He died a few months later in January of 1837. In the decades following his death, the poem “Monument” was transformed into a statue in central Moscow: the Pushkin Monument. At its dedication in 1880, the interaction between the verbal text and the visual monument established a creative dynamic that subsequent generations of artists and thinkers amplified through the use of allusion, the aesthetic device by which writers reference select elements of cultural history to enrich the meaning of their new creation and invite their reader into the shared experience of a tradition.

The history of the Pushkin Monument reveals how allusive practice becomes more complex over time. By the twentieth century, both writers and readers negotiated increasingly complex allusions not only to Pushkin’s poem, but to its statuesque form in Moscow and the many performances that took place around it. As the population of newly literate Russians grew throughout the twentieth century, images of the future poet and the naive reader became crucial signifiers of the most meaningful allusions to the Pushkin Monument. Because of this, the story of Pushkin’s Monument is also the story of cultural memory and the aesthetic problems that accompany a cultural history that grows ever longer as it moves into the future.


List of Figures


Introduction: Dimensions of the Pushkin Monument

Chapter 1. Pushkin’s Poem: Monument and Allusion (1811-1836)

Chapter 2. Opekushin’s Pushkin Monument: Statue and Performance (1836-1880)

Chapter 3. Bulgakov’s Master and Margarita: Crisis of the Future Poet (1880-1937)

Chapter 4. Toporov’s Petersburg Text: Rejecting the Statue (1937-2003)

Chapter 5. Tolstaia’s Slynx: Disfiguring the Monument (1986-2000)

Conclusion: Allusion and the Naive Reader





About the Author:

Sidney Eric Dement is an assistant professor in the Department of German and Russian Studies at Binghamton University.

Target Audience:

People interested in literary studies, history, and cultural studies.


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